Change the key or the instrument and StageScore re-engraves the music on the spot — notation, chord symbols, key signature, accidentals. No new file. No mental transposition.
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“Wolverine Blues”, Jelly Roll Morton (1923) — public domain
“I've only got the soprano with me tonight.”
The band changes. The chart changes with it.
The horns take the notation in their own key. The bass and guitar switch to Chords — a bar grid big enough to read in stage light, no melody to squint past. Singers take the Lyrics sheet.
Same chart, same setlist, same book. Only the reading changes.
“When the Saints Go Marching In”, traditional spiritual — public domain
Already have years of charts elsewhere? Bring the music you already use into StageScore and keep it alongside your new charts, setlists and Band Books — same library, same search, nothing retyped.
Import from your device, cloud storage, or compatible chart libraries.
Stay structured and transposable.
Stay exactly as imported, alongside everything else.
Other compatible chart formats can be imported too.
StageScore reads the music off a PDF page — notes, rhythm, the key, the chord symbols — into a chart you can put in any key, hear, and drop into a setlist.
Reading is new, so it never asks you to take its word for it: the page sits above every line it read, and it counts each bar and flags the ones worth a second look. Fixing them is the editor below.
“Bye Bye Blackbird” (1926) and “Body and Soul” (1930) — public domain in the US
Open a chart in the editor and change what's wrong — notes, rests, accidentals, ties, barlines and repeats, the key, the meter, the chord symbols. It points out what's worth checking and walks you through it, bar by bar.
Same paper, same handwriting as the score you were just reading. For lead sheets and single-line parts — piano and multi-part scores stay as they are.
Your library, the way you want it. Now get it to every stand.
The bandleader builds the book and sets the running order. Everyone else joins with a six-digit code — read it out at rehearsal and that's the whole invite. Change the set and every stand has it.
Nobody turns up with last month's version, and each player still reads in their own key, on their own instrument, in the view they need.
The chart stays in front of you. Everything you need around it is one tap away — marks, tuning, tempo, the road map, the next tune in the set. Nothing that makes you put the music down mid-number.
Prepared transitions, the intro from soundcheck, who solos, how it ends. Per song or per gig.
Annotations are anchored to the bars, so they stay put when you transpose or switch parts. With an Apple Pencil, just start writing.
Bass, drums, keys and guitar read the changes in tonight's key, at your tempo. Pick the feel, the kit and the instruments.
Reference pitch you can move off 440, open over the music without losing your place.
Reads the marking off the chart, so the count-in is the tune's, not a guess.
Install it once and the library is on the device. Venue Wi-Fi is optional.
Sign in and each device sends up what you changed and picks up what you added elsewhere, every time you open it. Marks on a chart follow within seconds.
Built because transposing charts on stage is a pain.
StageScore started with one very specific problem: I'm a saxophonist, and I was tired of transposing in my head when a singer changed key or I'd brought a different horn. From there every feature came from asking the same question — what else forces the band to leave the music during a gig?
Transpose the chart, share the book, and keep everything you need on one stand.
Even when someone only brought the soprano.